Don't Trouble the Trouble story:
Soori (Fahadh Faasil), a small-time conman survives by fooling people through clever tricks and shortcuts. One fine day, Soori finds himself in an unusual situation when he meets a young girl named Divya (Ssara Palekar) and her pet dog. Divya believes that Soori possesses magical powers, while Soori initially sees her as an opportunity to make quick money. Hoping to demand a ransom, he tries to contact her family. Just when Soori thinks he has everything under control, he discovers a shocking truth: Divya is not a normal child but a spirit. What follows is a journey filled with mystery, supernatural elements, and unexpected revelations.
Don't Trouble the Trouble review:
The biggest strength of Don't Trouble The Trouble is its unusual premise. Shashank Yeleti deserves credit for attempting something different in an era dominated by action spectacles and formula entertainers. The idea of a petty conman being forced to help a spirit child has enough novelty to spark curiosity.
However, a good idea alone is not enough. The screenplay struggles to convert the concept into an engaging cinematic experience. The film starts slowly by establishing Soori's financial struggles and his desperate attempts to earn money. While the setup has a few interesting moments, the narrative takes too much time to get to the central conflict.
The interactions between Soori and Divya are expected to generate humor and emotional warmth, but most of these scenes fail to create the desired impact. One of the major issues is the lack of emotional depth. Since Divya's journey forms the emotional core of the film, the audience needs to feel connected to her. Unfortunately, the writing never fully develops that connection. As a result, many emotional moments feel distant rather than moving.
The first half has a handful of watchable sequences, especially the exhibition episode and the ransom-related portions. These scenes show glimpses of what the film could have been. But after the interval, the narrative begins to wander and there is not much that happens until the pre-climax, and it drags the film for no reason.
The police station episode featuring Fahadh Faasil stands out as one of the better moments in the film. Here, the actor finally gets material that allows him to showcase his acting strengths. The sequence adds some energy to an otherwise sluggish narrative.
Also read: Don’t Trouble The Trouble trailer: Netizens smell a Barroz-style bomb in Fahadh Faasil’s next
Coming to the performances, Fahadh Faasil performs sincerely throughout the film. He handles the Telugu dialogues surprisingly well and does his best to elevate the material. However, the character itself lacks the sharpness and eccentricity needed to fully utilize his talent. For his range, this role feels underwritten.
Young actress Ssara Palekar performs well and brings innocence to Divya's character. Yet, the writing limits her emotional impact. Venkatesh Kakumanu provides decent support, while Mahesh Manjrekar is adequate in his role. Saurabh Sachdeva's character feels unnecessary and leaves little impression. Subbaraju's portions often appear exaggerated and unintentionally silly.
Hyderabad's real locations add authenticity, and the visual effects used in supernatural portions are reasonably neat. The cinematography supports the story well. However, Kaala Bhairava's music fails to create memorable moments, and the background score does not significantly enhance the proceedings.
The climax is where the film loses most of its goodwill. Instead of delivering an emotional or satisfying payoff, the final portions become increasingly illogical. The fantasy elements feel forced, and the narrative struggles to maintain internal consistency. What should have been a heartfelt conclusion ends up feeling confusing and underwhelming.
The biggest issue with Don't Trouble The Trouble is that it never decides what kind of film it wants to be. It is not funny enough to work as a comedy, not emotional enough to function as a drama, and not magical enough to become a compelling fantasy adventure. The result is a film that remains stuck between multiple genres without fully satisfying anyone.
Don't Trouble The Trouble verdict:
Don't Trouble The Trouble is built on an interesting idea that never fully comes alive and ultimately ends up being far less entertaining than its intriguing title. Apart from a few decent sequences and Fahadh's screen presence, there is very little that keeps viewers invested.
