#Cult movie story:

February 29 is the birthday of Elvin (Tarak Ponnappa), the son of Goa's Home Minister (Murali Sharma). Since his birthday comes only once every four years, he wants to celebrate it with his friends at a farmhouse. Things take a terrifying turn when a mysterious image appears on the screen, issuing deadly instructions to everyone inside. Heavy RDX bombs are placed at the entrance, leaving the guests with no escape. The Home Minister asks the Police Commissioner (Srikanth Iyengar) to rescue his son. Meanwhile, DSP Sankalp Nayak (Vishwak Sen) is also inside the farmhouse. Who is behind this deadly game, and how does Sankalp deal with the situation? The rest of the film revolves around these events.


#Cult movie review:

#Cult appears to draw inspiration from Korean survival thrillers and shows like Squid Game, but it fails to create the same level of tension or excitement. Vishwak Sen, who impressed as a director with Falaknuma Das, misses that strength here as a director. 


The Goa setting and the characters fail to create a convincing atmosphere, while the initial portions move from one scene to another without offering anything particularly engaging. Vishwak Sen makes his entry nearly an hour into the film, and his arrival brings some interest. 


However, the momentum does not last long, as the second half repeats similar situations. The action blocks are reasonably well designed, but the central mystery and the twists fail to generate excitement. The film also struggles to establish the motivations of its characters. 


#Cult in theatres October 30, 2026Vishwak Sen in #Cult


The Home Minister's political concerns, his son's situation, and the Police Commissioner's role lack emotional depth. The biggest problem is that Vishwak Sen seems more interested in staging violent action sequences than developing a strong story. 


The excessive bloodshed becomes difficult to sit through, especially when the screenplay offers little suspense or emotional connection. The film's attempt to balance action with an emotional conflict also falls flat. As an actor, Vishwak Sen performs better than he does as a director. His styling, screen presence, and action sequences work in parts. 


However, the supporting cast is not used effectively. Tarak Ponnappa gets considerable screen time but has little scope to make an impact. Murali Sharma and Srikanth Iyengar are limited to routine roles, while Gayatri Bhardwaj's character lacks substance and is largely used for glamour.


Ravi Basrur's background score works in a few sequences, while the cinematography, editing, and production values are adequate. The action blocks have been designed well, and the film will attract those who love watching films wth bloodhsed.


#Cult movie verdict:

On the whole, #Cult is a disappointing attempt at making a survival action thriller. Vishwak Sen delivers a decent performance, and the action blocks offer occasional moments of interest, but weak writing, repetitive scenes, and a lack of emotional depth make the film a tiring watch.